Images strung willingly in the Editorial Curatorship. Adventure of going hand in hand, between subtleties, suggestions and ironic gestures, from one image to another, from a look at the environment of actions and faceless beings, to paradoxical environments in their reality and urban landscapes of tense keys.

In the images, a translation of an alert gaze, the subjects' relationship with the context germinates intensely, which, not because they are natural, wield allegorical doses of subjectivity and poetics of the absurd. Own art of the best  photography documentary.

The details at the metatextual reading levels are well caught by your lens. Something that current generations of Cuban photodocumentalists have also been losing, and that they left as a lesson in the 90s (Ney, Sarabia ...).

Grethel Morell Otero
Historian of Cuban Photography, curator and art critic.

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My interest in this proposal is the human being   immersed in his daily life in public spaces, for his spontaneity and unconscious relationship in that environment.

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I look for in these visual experiences, the reflection of the possible oneiric or irrational appreciations, without losing the interpretation of their anthropological reality.

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I also want to refer to * everything: the world and its inhabitants, their illusions, their sadness, their beliefs and love, without geographical references, nor specific religions or policies. Only the moment of hallucinations and convergences in our imaginary spaces.

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* / ... the whole is greater than the sum of its parts ...

Aristotle in his writings on metaphysics (after or beyond physics). Holistic.

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Jose Ney

Photographer