Migrations
AWARD FINALIST International Awards Jury VII International Biennial of Art SIART 11.
"Dialogues in Complexity" Tambo Quirquincho Museum. City of peace. Bolivia. 2011
AWARD FINALIST International Awards Jury VI International Biennial of Art SIART 09.
¨Fluxes and refluxes¨ Center for Contemporary Art of the Simón L. Patiño Foundation, Guayaquil Building. Cochabamba - Bolivia. 2009.
Exposición PUNTOS CARDINALES de Esteban Blanco, José Ney, Antonio Nuñez y Geandy Pavón. Colectiva curado por Vicky Romay y Frances Sinkowitsch. New York, Noviembre 2015.
Exposición PUNTOS CARDINALES de Esteban Blanco, José Ney, Antonio Nuñez y Geandy Pavón. Colectiva curado por Vicky Romay y Frances Sinkowitsch. New York, Noviembre 2015.
Exposición PUNTOS CARDINALES de Esteban Blanco, José Ney, Antonio Nuñez y Geandy Pavón. Colectiva curado por Vicky Romay y Frances Sinkowitsch. New York, Noviembre 2015.
Exposición PUNTOS CARDINALES de Esteban Blanco, José Ney, Antonio Nuñez y Geandy Pavón. Colectiva curado por Vicky Romay y Frances Sinkowitsch. New York, Noviembre 2015.
PARALLEL WORLDS (2002 - 2003)
From the series " Migrations "
The Compass :
But the interior / exterior for each individual is formed by two separate and well differentiated worlds, however, that is a fiction that leads us to a single reality, one does not exist without the other, and it is not only relative from the point of view of territorial view, but also for all things regarding your timer. Somewhere and at some point the transgression will begin or end where one part is exchanged, nurtured, or imposed on the other, and thus, repeatedly like a circle molded by time, that revolutionizes in space towards a direction. , which will depend on our relationship, exterior / interior of each moment.
The Course :
How can you consider the context to which a real scenario belongs? If it is not space only, it is a space / time relationship. Where there are multiple scenarios interspersed from all directions "related" or antagonistic with their decorations of signs and structures that are transformed according to the timing scale of mobile, immobile and immovable motifs. And taking into account that all beings are irretrievably part and that according to their role in them, perception, vision and understanding can be very different (and not exclusively on their literal perspective). These disagreements are recreated by a seat belt with which we capture "the realities" in our memory, auto predesigned through a labyrinth where illusory visions and dreams flow in parallel.
The context is as relative as the setting is.
CARDINAL POINTS Exhibition by Esteban Blanco, José Ney, Antonio Nuñez and Geandy Pavón. Collective curated by Vicky Romay and Frances Sinkowitsch. New York, November 2015.
The End :
The sensation of "reality" can convince us that we are facing the suggested fact, perhaps not directly in our consciousness, but exerting its effects over time. In contrast, when a high degree of realism is experienced or perceived by be eyewitnesses, we could, if we wanted, erase that part of the "tape", nullifying the possible psyche / consequences of that experience. In addition to transform the dimension of a fact, simply by supplanting a word for other.
Each being is potentially an emigrant, but even if someone escapes from that, all without exception have migrated from the body of our Father to that of our Mother and from her, to the outside world and where do we migrate when what comes to us? we call Death?
On another plane, our Solar System migrates through the Universe and this in turn through the Macro Universe. That is why we carry it in the very blood and from it every last drop migrates throughout our body. Emigrating is not only part of the human condition, it is the common generator of the existence of the Known universe.
To the memory of those who ever they were forced to move.
BALANCES SIMULTANEOUS (2003 - 2004)
From the series " Migrations "
The point of view :
The Relativity is also a relative fact, it would be a great contradiction if she same was an absolutism.
The imbalance of some spaces can be, in turn, the balance of other spaces and these do not have to be represented in the same space and time and neither inevitably be ephemeral.
Survive our fears It is vital as it is also vital, to acquire with our evolution other fears that replace them. One of them: Fear of judging someone as an intruder simply by the color of their skin.
The destination scenario :
The Tide, Low or High? Balance or imbalance? Large bodies of water move in a Continent to another and "we know" that it is produced by the gravitational pull of the Moon.
Encyclopedia Salvat.
Textually from: Migration (Fragment)
Volume 11, p. 2540.
... The most important migratory movements in recent times were the great European emigration to America (of the 60 million Europeans who emigrated between 1835 and 1914, America welcomed 44 million). Other centers of attraction were ...
Pluto, is it getting closer or further away? In one part of its orbit it approaches the Sun and in the next it moves away. Why?
How many "rivers" and "straits" with wet backs are there? on the world? And what is the "context" of these scenarios? And the culprit Is the "place" of origin or the destination? Nobody at all? Side effects of any disease "modern" that we do not know? Memory, disinformation or historical "relativity"?
The Nothing, label that It is often used by some scholars when they cannot understand the origin of life and the Universe.
The Chaos, another label for the misunderstanding of the facts when they do not correspond to a "known" model or pattern.
The protagonists :
Between the contradictions of feelings and insecurity versus The priorities, we can feel very alone but that may be it, a feeling that was always there like a ghost.
Loneliness is not necessarily Empty space, however, it is an absolutely real feeling. Let's not blame the beings around us for our loneliness.
Earth can become, "distant territories" or "missing spaces" but it shouldn't be with the taste of exile.
To the memory of those who are serving a sentence "inside" and "outside" simply for try to get out of the time that has been imposed on them.
UNFINISHED SPACES (2004 - 2005)
From the series " Migrations "
The Flight :
Sometimes the sensation of unfolding and being (of simply being) in the space that feels and suffers your absence is inevitable because you are not in its domain.
Time" is the light projected on bodies in space, like too the "space" is deformed in time, searching within itself, the density of existence.
A "proposal": Immigrate. Wrongly applied to animals and very specifically birds, these do not understand the political, social and cultural boundaries of humans, for them it is "everything", very varied but a only territory.
The Journey :
When man itself start to fly, borders will cease to exist. And all the places on earth they will be from Earth.
We are slaves to conditioned reflexes, unconsciously induced to assume "realities" with a total security and seriousness possible, accepting the consequences as such. When we look at a sheet of paper (PD) we interpret it as: After date.
Yet on a sheet of marble maybe like: "Rest in peace."
In what place exists a "real" criterion on the victims human with reference to migration movements in the last 60 years in all the world?
The Luz discovers the meaning of the forms that are obstacles in its projection and the apparently unlit does not exist but is between the shades. Translucent bodies also elude the Light (Time) but space sustains its density and its reflection will become inevitable. Still some monuments they are "invisible". An "unfinished" image can stimulate the sensation ghostly about what life as consciousness is a "ephemeral illusion", pointing out how true and only existence "perpetuity" and "emptiness", as infinity eternal.
To the memory of those who have disappeared in the attempt.
PS : When they are so close to us, watching us, I don't know where his metaphor begins or ends.
